Alfred Oliver was one of the last Victorian and Edwardian naturalistic painters. Some idea of his style can be gained from a story told in the family. Apparently, when his "The Snowdon Horseshoe from Lyn Mymbyr", showing the mountains perfectly reflected in the lake, was exhibited in London, a critic complained that the image was impossible. Oliver's response was to invite the critic up to Capel, and on the first clear morning of his visit, to row him out on the lake and demonstrate how accurate the picture was.
My own appreciation of Alfred Oliver's skill came from a painting of a single tree - a silver birch, if I recall correctly. It hung at the western end of the studio. In the half-light, and against the dark wooden background, it was almost as if a door opened into a wood.
The only other memory of the studio was a poignant one. Above a door at the back was mounted a twin-bladed propeller. I was told that it was a memorial for his son, killed in action in the first world war. Probably he was the T.A.Oliver cited in a Roll of Honour from 1917.
I can't find the studio, or even where it stood. The family (Humphries? Humphreys?) sold it around 1980, and it has probably been redeveloped as a guest house.
However, the sheep tracks which I used to wander and the view from the lake are virtually unchanged. If only the cloud would break so that I could capture the latter image.